Call for papers: Collecting Raphael (Rom, 12-14 Oct 17)

Rom, Bibliotheca Hertziana, October 12 – 14, 2017
Deadline: Dec 31, 2016

Collecting Raphael
Raffaello Sanzio da Urbino in the collections and in the history of collecting

In view of the forthcoming 500th anniversary celebration of Raphael’s death (Raffaello Sanzio da Urbino, Urbino 1483 – Rome 1520), an international conference to focus on the reception of Raphael and the history of collections will draw together scholars of collecting and history of taste with curators of the main collections of Raphael’s paintings and drawings in both Italy and abroad.

Organised by: Sybille Ebert-Schifferer and Claudia La Malfa

Held at the Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, in Rome in October 2017.

Raphael’s works have enjoyed an uninterrupted fortuna in the history of collecting. His fame has fueled collectors’ passions for centuries, which in turn has contributed to his fortuna, never challenged through the changing cultural and artistic periods. His works were considered symbols of power by those popes, princes and nobles who owned them,
eventually becoming the identity matrix of many important European museums in the 19th and 20th centuries.
The aim of the conference is to explore the various mechanisms that have contributed to this phenomenon.

Suggested topics include:

  • the role of the great collectors of Raphael between the 16th and the 19th
    centuries, including the Gonzaga and Borghese families, Christina of Sweden, Charles I of England, Louis XIV of France, and the Kings of Spain;
  • the function of antiquarians and art dealers, such as Daniel Nijs, Pierre Crozat, Pierre-Jean Mariette, and John Julius Angerstein, in the diffusion of Raphael’s works and copies in 17th- and 18th-century collections in Italy and abroad; the part played by figures like Filippo Baldinucci for the Uffizi, Everhard Jabach for the Louvre, and Sir Joshua Reynolds for collections in England;
  • the influence of academies in the diffusion of the master’s oeuvre through collections of drawings and reproduction prints in the Age of the Grand Tour;
  • the relationship between art historians and collectors, and the role of early biographers like Johann David Passavant, Bernard Berenson, Oskar Fischel, in the creation of the 19th- and 20th-century museums;
  • the issue of connoisseurship from the 17th century on and the problem of originals, workshop productions, copies and fakes.

Please send an abstract of 250 words and a CV to c.lamalfa(at)aur.edu
and to albl(at)biblhertz.it by December 31th 2016.

Advertisements
This entry was posted in News and Events, Tags and tagged , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s